100 Cracks Short Quotes — Niche Quotes 💬 (2024)

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Before I go on with this short history, let me make a general observation– the test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.One should, for example, be able to see that things are hopeless and yet be determined to make them otherwise. This philosophy fitted on to my early adult life, when I saw the improbable, the implausible, often the "impossible," come true.

F. Scott Fitzgerald (The Crack-Up)

I will whisper your name From the cracks in the canyon rocks And you will know that this is heaven, Knowing that someone will always remember Your irises and where you hid your loveLetters and why you could never speakIn anything but short sentences.

Neil Hilborn (Our Numbered Days)

The thought does cross my mind that I could slip and end up cracking my head on the pavement just short of the pool, but if you're always going to worry about minor drawbacks, then you'll never accomplish anything.

Tim Tharp (The Spectacular Now)

We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.

Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))

That is one thing I've learned, that it is possible to really understand things at certain points, and not be able to retain them, to be in utter confusion just a short while later. I used to think that once you really knew a thing, its truth would shine on forever. Now it's pretty obvious to me that more often than not the batteries fade, and sometimes what you knew even goes out with a bang when you try to call on it, just like a lightbulb cracking off when you throw the switch.

Ann Patchett (Truth & Beauty)

A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. 'What do you want, Richard?'Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House.'Good question,' Richard said. 'I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in.

Rachel Caine (Feast of Fools (The Morganville Vampires, #4))

INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see.Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea money. Dominie Deasy kens them a'.Won't you come to Sandymount,Madeline the mare?Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare.Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see.See now. There all the time without you: and ever shall be, world without end.

James Joyce (Ulysses)

Winter came in days that were gray and still. They were the kind of days in which people locked in their animals and themselves and nothing seemed to stir but the smoke curling upwards from clay chimneys and an occasional red-winged blackbird which refused to be grounded. And it was cold. Not the windy cold like Uncle Hammer said swept the northern winter, but a frosty, idle cold that seeped across a hot land ever lookung toward the days of green and ripening fields, a cold thay lay uneasy during during its short stay as it crept through the cracks of poorly constucted houses and forced the people inside huddled around ever-burning fires to wish it gone.

Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))

He begged Angie but the words were cut short by the strap and the dial turning up again and the sound in the air like cracking ice and shredding paper and static.

Victoria Schwab (Vicious (Villains, #1))

Maybe you are right to be cautious. You have been lied to before, after all. Your heart is weathered and scarred, mishandled by many, eroded by time. You’re no dummy, and yet repeatedly, you stumble over the cracks of your cobblestone heart, you let your naked foolish hopes get the better of you.

Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)

If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.

Bernard Levin

Have you never outright sinned, then?”“I disobeyed Patti when she told me to stay away from you.”“Right. I remember that one. So just once, then?”“There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching.“Yes? Go on,” he urged.He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts.“The night we met, I sort of...well, I flat-out told a lie. On purpose.”I thought he was trying not to smile.“To me?” he asked.“No. About you.”Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame.“Continue. Please.”“There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.”I covered my face in shame and he burst into laughter. I thought he might drive off the road.Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended.“I wondered if you were ever going to tell me!” he said through spurts of hilarity.Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.We started catching our breath again a few minutes later, only to break into another round of merriment.“Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes.“Yes, yes. I've had worse said about me.

Wendy Higgins (Sweet Evil (Sweet, #1))

Abruptly, Templeton cut short his thoughts. There was a brief pause, almost as if he was uncertain whether he should continue.'Uh ... but ... no,' he said slowly, 'he's the most ...' He stopped, then started again. 'In my view,' he declared, 'he is the most important human being who ever existed.'That's when Templeton uttered the words I neer expected to hear from him. ' And if I may put it this way,' he said in a voice that began to crack, 'I ... miss ... him!'With that tears flooded his eyes. He turned his head and looked downward, raising his left hand to shield his face from me. His shoulders bobbed as he wept."-Former Minister and now Agnostic Charles Templeton speaking of Jesus

Lee Strobel

PLEASE BELIEVE that I am falling apart. I am not speaking metaphorically; nor is this the opening gambit of some melodramatic, riddling, grubby appeal for pity. I mean quite simply that I have begun to crack all over like an old jug—that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of acceleration. I ask you only to accept (as I have accepted) that I shall eventually crumble into (approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust.

Salman Rushdie (Midnight's Children)

Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened."He looks up.She swallows, knowing that these are the words that stall; that may simply refuse to emerge."Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..."There is a short silence."Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..."The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again."I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again."She leans closer to him."So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people."She looks down at his hands, and her voice cracks."All that really matters is who you love.

Jojo Moyes (The Girl You Left Behind)

Imagine a land where people are afraid of dragons. It is a reasonable fear: dragons possess a number of qualities that make being afraid of them a very commendable response. Things like their terrible size, their ability to spout fire, or to crack boulders into splinters with their massive talons. In fact, the only terrifying quality that dragons do not possess is that of existence.Now, the people of this land know about dragons because their leaders have warned them about them. They tell stories about cruel dragons with razor teeth and fiery breath. They recount legends of dragons hunting by night on silent wings. In short, the leaders make sure that the people believe in all the qualities of dragons, including that key quality of existence. And then they control the people — when they need to — with their fear of dragons. The people pay a dragon-slaying tax … everyone stays indoors after dark to avoid being snatched by swooping claws … and nobody ever strays out of bounds for fear of being eaten well and truly up.Perhaps somebody will wonder if dragons aren’t, after all, fictitious because — despite their size — nobody seems to have actually seen one. And so it is necessary from time to time to provide evidence: a burnt tree or two, a splintered rock, the mysterious absence of a villager. The population is controlled by the dragons in its collective mind. It’s contrived superstition, and it is possible because the people do not know enough about the way the world works to know that dragons do not exist.

David Whiteland (Book of Pages)

As each new generation becomes more distanced from human interaction by its all-consuming obsession with superfluous technology, our collective passion wanes a little more, making the cracks in each persons’ bridge wider, until it is easy to fall through the fractures and disappear forever.

Bobby Underwood (Love at the Library (Christmas Short, #1))

He believed that anything could be reverse-engineered. If one human or group of humans put something together, then another human or group of humans could take it apart again. It was a basic principle. All that was required was empathy and thought and imagination. And he liked pressure. He liked deadlines. He liked a short and finite time to crack a problem. He liked a quiet space to work in. And he liked a similar mind to work with.

Lee Child (The Hard Way (Jack Reacher, #10))

Starling walked up and down the linoleum of the shabby lounge far underground. She was the only brightness in the room. We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we’re frightened in the face of Doom.

Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))

Acorn struggles in pain to crack the hard shell and emerge. For it senses that out there… exists more and it knows it. It feels that there is a sun, even if Acorn hasn't seen it. It has felt some warmth and energy and it aches for more.

Robin Rumi (Naked Morsels: short stories of spiritual erotica)

Are you on crack? Or did I take a righteous bong hit before coming here?

Natasha Larry (The Day The World Went Orange (Darwin's Children, #2.5))

I like you," she whispered, and he thought that her scent was like lilies, secret and hidden in cracks furred with green moss—places where sunshine is short and shadows long.

Stephen King (The Shining (The Shining, #1))

There’s nothing to be scared of.”Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.

Stephen King (Doctor Sleep (The Shining, #2))

This summer has been so short, so small. I think that like “Alice” it ate the cake that said “Eat Me”, and dwindled and dwindled until it was so tiny that it ran out through the cracks under the door.

Edna St. Vincent Millay

We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we’re frightened in the face of Doom.

Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))

I hate when assholes have talent. I want to live in a world where good people rule at everything and sh*tty people suck at everything. In short: I want Martin Addison’s voice to crack like an earthquake.

Becky Albertalli (Leah on the Offbeat (Creekwood, #2))

Witches cackle.Goblins growl.Spectres boo,And werewolves howl.Black cats hiss.Bats flap their wings.Mummies moan.The cold wind sings.Ogre’s roar.And crows, they caw.Vampires bahahahaha.Warlocks swish their moonlit capes.Loch Ness monsters churn the lake.Skeletons, they rattle bonesWhile graveyards crack the old headstones.All the while the ghouls, they cryTo trick-or-treaters passing by.Oh, the noise on Halloween;It makes me want to scream!

Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)

I was crazy about goal keeping. In Russia and the Latin countries, that gallant art had been always surrounded with a halo of singular glamour. Aloof, solitary, impassive, the crack goalie is followed in the streets by entranced small boys. He vies with the matador and the flying ace as an object of thrilled adulation. His sweater, his peaked cap, his kneeguards, the gloves protruding from the hip pocket of his shorts, set him apart from the rest of the team. He is the lone eagle, the man of mystery, the last defender. Photographers, reverently bending one knee, snap him in the act of making a spectacular dive across the goal mouth to deflect with his fingertips a low, lightning-like shot, and the stadium roars in approval as he remains for a moment or two lying full length where he fell, his goal still intact.

Vladimir Nabokov (Speak, Memory)

Low branches, dead and snapping against us. On the lookout for rattlesnakes. But the path was short enough, and soon we were on a kind of terrace. Old lawn overgrown by grass and weed, old concrete cracked in discrete chunks, vast areas overrun. An enchanted place for me, and only for me, because I was too young to remember, and so in my mind this place could become more.

David Vann (Goat Mountain)

Next, he showed the girls a narrow Incan street. Both sides of it had high stone walls and the driver stopped so the visitors could walk down a short distance to see the famous twelve-sided stone which was part of it. Each girl counted the sides and marveled at the way the ancient stonecutters had trimmed this enormous rock to accommodate the ones fitted around it. The young tourists noticed that all the stones were so perfectly fitted that there was not one single opening or crack between them. Not even an earthquake could damage this amazing artisanship!

Carolyn Keene (The Clue in the Crossword Cipher (Nancy Drew, #44))

“Maurency seems to be undergoing a remarkable and somewhat undesirable transformation.” “What?” “He’s changed hair color, put on some muscle and now seems to be cracking skulls rather than saying his prayers.” Mason rose and rounded the table. “In short, it looks like Linnet’s ideal hero might be turning into you.”[...]“He looks improved, but I still don’t like him.” “He’s you, you fool,” responded Oswald scathingly.

Alice Coldbreath (Her Bastard Bridegroom (Vawdrey Brothers, #1))

When you are in your twenties, even if you're confused and uncertain about your aims and purposes, you have a strong sense of what life itself is, and of what you in life are, and might become. Later ... later there is more uncertainty, more overlapping, more back-tracking, more false memories. Back then, you can remember your short life in its entirety. Later, the memory becomes a thing of shreds and patches. It's a bit like the black box aeroplanes carry to record what happens in a crash. So if you do crash, it's obvious why you did; if you don't, the the log of your journey is much less clear.Or, to put it another way. Someone once said that his favourite times in history were when things were collapsing, because that means something new is being born. Does this makes any sense if we apply it to our individual lives? Even if that something new is our very own self? Because just as all political and historical change sooner or later disappoints, so does adulthood. So does life. Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn't all it's cracked up to be.

Julian Barnes (The Sense of an Ending)

I’m an old man, now. I’ve been alone since my 17th birthday. I’d wanted to marry, have a bunch of kids, and maybe be a grandpa. The big family around the Thanksgiving table, laughing and pouring wine and cracking jokes and harmlessly teasing the missus—I wanted that. I wanted to do something good with my life—something right. I didn’t want what happened to Danny, my best childhood friend, to be the only mark I’d ever make in this world. But I thought it best not to fancy such hopes and dreams: a family, love. I’d been cursed by my best friend, and I thought it right not to inflict that curse on anyone who’d be foolish enough to love me.

J. Tonzelli (The End of Summer: Thirteen Tales of Halloween)

These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them.Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise.How do you connect things? Learn their names.It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way.I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it.I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person.-When are you two going to have children?-We're our own children.In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries.I would avoid people, stop drinking.There was a beggar with a Panasonic.This is what love comes down to, things that happen and what we say about them.But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details.Hardship makes the world obscure.How else could men love themselves but in memory, knowing what they know?The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.

Don DeLillo (The Names)

The voice came from the night all around him, in his head and out of it."What do you want?' it repeated.He wondered if he dared to turn and look, realised he did not.'Well? You come here every night, in a place where the living are not welcome. I have seen you.Why?''I wanted to meet you,' he said, without looking around. 'I want to live for ever.' His voice crackedas he said it.He had stepped over the precipice. There was no going back. In his imagination, he could alreadyfeel the prick of needle-sharp fangs in his neck, a sharp prelude to eternal life.The sound began. It was low and sad, like the rushing of an underground river. It took him severallong seconds to recognise it as laughter.'This is not life,' said the voice.It said nothing more, and after a while the young man knew he was alone in the graveyard.

Neil Gaiman (Fragile Things: Short Fictions and Wonders)

The low doors of so many old European houses, on which those of us who are absentminded tend to crack our heads, are low not because people were shorter and required less headroom in former times, as is commonly supposed. People in the distant past were not in fact all that small. Doors were small for the same reason windows were small: they were expensive.

Bill Bryson (At Home: A Short History of Private Life)

In short, millennials have been dealt a bad hand in their career, social, and romantic lives—some even in their family. In the karma points of the world, millennials are of the lowest caste so far. As a result, they are treated with disdain, contempt, and disrespect. Most of the time, they don’t fight back, usually in danger of losing their financial stability.

Cate East (Generational Astrology: How Astrology Can Crack the Millennial Code)

[The Devil] "This legend is about paradise. There was, they say, a certain thinker and philospher here on your earth, who 'rejected all--laws, conscience faith, and, above all, the future life. He died and thought he'd go straight into darkness and death, but no--there was the future life before him. He was amazed and indignant. 'This,' he said, 'goes against my convictions.' So for that he was sentenced...I mean, you see, I beg your pardon, I'm repeating what I heard, it's just a legend...you see, he was sentenced to walk in darkness a quadrillion kilometers (we also use kilometers now), and once he finished that quadrillion, the doors of paradise would be open to him and he would be forgiven everything...Well, so this man sentenced to the quadrillion stood a while, looked, and then lay down across the road: 'I dont want to go, I refuse to go on principle!' Take the soul of an enlightened Russian atheist and mix it with the soul of the prophet Jonah, who sulked in the belly of a whale for three days and three nights--you'll get the character of this thinker lying in the road...He lay there for nearly a thousand years, and then got up and started walking.""What an ass!" Ivan exclaimed, bursting into nervous laughter, still apparently trying hard to figure something out. "isn't it all the same whether he lies there forever or walks a quadrillion kilometers? It must be about a billion years' walk!""Much more, even. If we had a pencil and paper, we could work it out. But he arrived long ago, and this is where the anecdote begins.""Arrived! But where did he get a billion years?""You keep thinking about our present earth! But our present earth may have repeated itself a billion times; it died out, lets say, got covered with ice, cracked, fell to pieces, broke down into its original components, again there were the waters above the firmament, then again a comet, again the sun, again the earth from the sun--all this development may already have been repeated an infinite number of times, and always in the same way, to the last detail. A most unspeakable bore..."Go on, what happened when he arrived?""The moment the doors of paradise were opened and he went in, before he had even been there two seconds--and that by the watch--before he had been there two seconds, he exclaimed that for those two seconds it would be worth walking not just a quadrillion kilometers, but a quadrillion quadrillion, even raised to the quadrillionth power! In short, he sang 'Hosannah' and oversweetened it so much that some persons there, of a nobler cast of mind, did not even want to shake hands with him at first: he jumped over to the conservatives a bit too precipitously. The Russian character. I repeat: it's a legend.

Fyodor Dostoevsky (The Brothers Karamazov)

A’ight, so what do you think it means?”“You don’t know?” I ask.“I know. I wanna hear what YOU think.”Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.”“Us who?” he asks.“Black people, minorities, poor people. Everybody at the bottom in society.”“The oppressed,” says Daddy.“Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?”“Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.”Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.”“A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?”“Racism?”“You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.”“He was a drug dealer.” It hurts to say that. “And possibly a gang member.”“Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?”I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.”“Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, sh*t, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.“Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That sh*t is flown into our communities, but I don’t know anybody with a private jet. Do you?”“No.”“Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.

Angie Thomas (The Hate U Give (The Hate U Give, #1))

the minds of the preoccupied, as if harnessed in a yoke, cannot turn round and look behind them. So their lives vanish into an abyss; and just as it is no use pouring any amount of liquid into a container without a bottom to catch and hold it, so it does not matter how much time we are given if there is nowhere for it to settle; it escapes through the cracks and holes of the mind.

Seneca (On the Shortness of Life)

Yes, I know what you mean about writing and writers. We seem to have lost the target. Writers seem to write to be known as writers. They don’t write because something is driving them toward the edge. I look back at when Pound, T. S. Eliot, e. e. Cummings, Jeffers, Auden, Spender were about. Their work cracked right through the paper, set it on fire. Poems became events, explosions. There was a high excitement. Now, for decades there has seemed to be this lull, almost a practiced lull, as if dullness indicated genius. And if a new talent came along it was only a flash, a few poems, a thin book and then he or she was sanded down, ingested into the quiet nothingness. Talent without durability is a god damned crime. It means they went to the soft trap, it means they believed the praise, it means they settled short. A writer is not a writer because he has written some books. A writer is not a writer because he teaches literature. A writer is only a writer if he can write now, tonight, this minute. We have too many x-writers who type. Books fall from my hand to the floor. They are total crap. I think we have just blown away half a century to the stinking winds. Yes,

Charles Bukowski (On Writing)

We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtray, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.

Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))

I sat on a bench and my mother stood in front of me, looking down the track. Her hair was cut short, and because it had all turned gray when she was twenty-three, she always had it dyed a deep chestnut brown. It was that color all over except for a super thin stripe at the top of her head, where the gray showed through. Sometimes I wanted to touch that place on my mother's head, that thin crack where her real self had forced its way through.

Carol Rifka Brunt (Tell the Wolves I'm Home)

In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now…In our ”“special place.”Waiting for you…Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...I think you know what I mean...Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm afraid you don't really want me to come home.Whenever you come see me, I can tell how hard it is on you...I don't know if you hate me or pity me... Or maybe I just disgust you....I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.James...You made me happy.“I love you, Mary.”As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.

Sadamu Yamash*ta (Silent Hill 2: The Novel)

You better do something about it right now because life is too short to waste time on the bullsh*t that’s stuck between the cracks. You need to fix those cracks and make them stronger, and you need to do it before it’s too late.

Juliana Stone (Collide (The Barker Triplets, #2))

Tears shone in Lucien’s remaining eye as he raised his hands and removed the fox mask.The brutally scarred face beneath was still handsome—his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body.Tamlin’s still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened.Amarantha backed away—away from my corpse. She only whispered “Please” before golden light exploded.The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see—fur and claws and pound upon pound of lethal muscle.She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw.She thrashed but could do nothing against the brutal onslaught of Tamlin’s beast. Blood ran down his furred arm from where she scratched.The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him.“Tam!” Lucien cried over the chaos.A sword hurtled through the air, a shooting star of steel.Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath.And then closed his powerful jaws around her throat—and ripped it out.

Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper... I... I... I... I... I... I.

Sylvia Plath (The Unabridged Journals of Sylvia Plath)

We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the café curtains cover blank concrete.

Thomas Harris (Silence Of The Lambs)

He went downstairs and padded along the hall to the kitchen, absently picking the seat of his shorts out of the crack of his ass, and opened the refrigerator. His reaching hand closed on nothing more alcoholic than a blue Tupperware dish of leftover noodles Romanoff.

Stephen King (It)

He rose grumpily, fell to the floor, and crawled. I looked at his exposed butt crack, a dark unkempt abyss that I was falling into. I was short of breath. I felt paralyzed. His asshole was a canyon. This was my 127 hours. I needed to chip away at the rock and get out.

Amy Schumer (The Girl with the Lower Back Tattoo)

So summer waited for open water, and the tardy Yukon took to stretching of days and cracking its stiff joints. Now an air-hole ate into the ice, and ate and ate; or a fissure formed, and grew, and failed to freeze again. Then the ice ripped from the shore and uprose bodily a yard. But still the river was loth to loose its grip. It was a slow travail, and man, used to nursing nature with pigmy skill, able to burst waterspouts and harness waterfalls, could avail nothing against the billions of frigid tons which refused to run down the hill to Bering Sea.

Jack London (Jack London: 22 Novels + 57 Short Stories (Timeless Wisdom Collection Book))

I tear down Baxter, which loops around the last mile down to Back Cove.And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.Alex was right. It was gorgeous—one of the best I’ve ever seen.

Lauren Oliver

ये जो and please be honest हैं न ये बार बार इसलिए बोला जाता है ताकि गलती से अगर बंदा बातों में आकार भूल गया है कि उसको सब सच बोलना है तो वो एक बार सोच ले और वही बोले जो इंटरव्यू crack करने के लिए ठीक हो । वरना ज़्यादा honest होने के जो भी फ़ायदे नुकसान हैं वो किसी से दुनिया में छुपे थोड़े हैं।

Divya Prakash Dubey (मसाला चाय)

Every person’s life is of importance to himself, of course: … But in the universe of infinite space and time, it is insignificant. … Perhaps Carl Becker, the historian, and one of the most civilized men I ever knew, grasped best our piddling place in the infinite. Man [he wrote] is but a foundling in the cosmos, abandoned by the forces that created him. Unparented, unassisted and undirected by omniscient or benevolent authority, he must fend for himself, and with the aid of his own limited intelligence find his way about in an indifferent universe. And in a rather savage world! The longer I lived and the more I observed, the clearer it became to me that man had progressed very little beyond his earlier savage state. After twenty million years or so of human life on this Earth, the lot of most men and women is, as Hobbes said, “nasty, brutish, and short.” Civilization is a thin veneer. It is so easily and continually eroded or cracked, leaving human beings exposed for what they are: savages. What good three thousand years of so-called civilization, of religion, philosophy, and education, when … men go on torturing, killing and repressing their fellowmen?

William L. Shirer (A Native's Return: 1945-1988 (20th-Century Journey, #3))

I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.“Have you seen Aiden?”“Aiden?”Were there really that many Aidens? “Graves.”“Can I ask what you need him for?”I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.I couldn’t help but crack a little smile at his grumpiness. “Ready?”He did his form of a nod, a tip of his chin.I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.He glared down at me. “What are you smiling at?”I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”He mouthed ‘sunshine’ as his gaze strayed to the ceiling.We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.He eyed me as he buckled in, and I slanted him a look. “What?”With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.“For me?” I asked like an idiot.He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.

Mariana Zapata (The Wall of Winnipeg and Me)

However, questions arise. Are there people who aren't naive realists, or special situations in which naive realism disappears? My theory—the self-model theory of subjectivity—predicts that as soon as a conscious representation becomes opaque (that is, as soon as we experience it as a representation), we lose naive realism. Consciousness without naive realism does exist. This happens whenever, with the help of other, second-order representations, we become aware of the construction process—of all the ambiguities and dynamical stages preceding the stable state that emerges at the end. When the window is dirty or cracked, we immediately realize that conscious perception is only an interface, and we become aware of the medium itself. We doubt that our sensory organs are working properly. We doubt the existence of whatever it is we are seeing or feeling, and we realize that the medium itself is fallible. In short, if the book in your hands lost its transparency, you would experience it as a state of your mind rather than as an element of the outside world. You would immediately doubt its independent existence. It would be more like a book-thought than a book-perception. Precisely this happens in various situations—for example, In visual hallucinations during which the patient is aware of hallucinating, or in ordinary optical illusions when we suddenly become aware that we are not in immediate contact with reality. Normally, such experiences make us think something is wrong with our eyes. If you could consciously experience earlier processing stages of the representation of the book In your hands, the image would probably become unstable and ambiguous; it would start to breathe and move slightly. Its surface would become iridescent, shining in different colors at the same time. Immediately you would ask yourself whether this could be a dream, whether there was something wrong with your eyes, whether someone had mixed a potent hallucinogen into your drink. A segment of the wall of the Ego Tunnel would have lost its transparency, and the self-constructed nature of the overall flow of experience would dawn on you. In a nonconceptual and entirely nontheoretical way, you would suddenly gain a deeper understanding of the fact that this world, at this very moment, only appears to you.

Thomas Metzinger (The Ego Tunnel: The Science of the Mind and the Myth of the Self)

Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. “You can’t escape me,” Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. “I’ve no desire to.” His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. “Welcome home, Mrs. Archer.

Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))

Thank you again for standing up for me.”He grumbled, “Stop it.”I smiled a little more genuinely. “I have this cream for bruises, let me go grab it.”Aiden jerked his head back like I was about to try to shove a hot dog in his mouth. “You know I don’t care about bruises.”“Too bad. I do. He can be black and purple tomorrow—and I freaking hope he is—but I’d rather you didn’t.” I winced at the small crack in his lip. “What did he have to do? Take a running start to reach your face?”Aiden burst out laughing, not even grimacing as his cut split wide.“Seriously, Aiden.” I reached up to touch his bruised jaw gently with my fingertips. “Did he sucker punch you?”The big guy shook his head.“He actually managed to get a fair shot in?” I wasn’t going to lie. I was a little disappointed. Aiden getting punched was almost like finding out Santa Claus wasn’t real. He’d gotten into a handful fights in his career before—I’d seen footage of it online when I shared it on his fan page because people were vicious and loved that kind of thing—and while he wasn’t this hotheaded asshole who liked to get into it for no reason, each time it happened, he beat the sh*t out of whoever tried to start something with him.It was impressive. What could I say?Then he gave me that dumb look that drove me nuts and I frowned. “No. I made sure he hit me first, and I let him do it twice before I hit him back,” he explained.This sneaky son of a bitch. I didn’t think I’d ever been so attracted to him before, and that included all the times I’d seen him in compression shorts. “So he’d get blamed for it?”One corner of his mouth pulled back in a smug half-smile.

Mariana Zapata (The Wall of Winnipeg and Me)

I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock.“What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!”A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice.I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?

Kaui Hart Hemmings (The Descendants)

Thou art like one of those fellows that whenhe enters the confines of a tavern claps me his swordupon the table and says “God send me no need ofthee!” and by the operation of the second cup draws iton the drawer, when indeed there is no need.BENVOLIO: Am I like such a fellow?MERCUTIO: Come, come, thou art as hot a Jack in thymood as any in Italy, and as soon moved to be moody,and as soon moody to be moved.BENVOLIO: And what to?MERCUTIO: Nay, an there were two such, we shouldhave none shortly, for one would kill the other. Thou!why, thou wilt quarrel with a man that hath a hairmore, or a hair less, in his beard, than thou hast: thouwilt quarrel with a man for cracking nuts, having noother reason but because thou hast hazel eyes: what eyebut such an eye would spy out such a quarrel? Thy headis as fun of quarrels as an egg is full of meat, and yet thyhead hath been beaten as addle as an egg forquarrelling: thou hast quarrelled with a man forcoughing in the street, because he hath wakened thydog that hath lain asleep in the sun: didst thou not fallout with a tailor for wearing his new doublet beforeEaster? with another, for tying his new shoes with oldriband? and yet thou wilt tutor me from quarrelling!BENVOLIO: An I were so apt to quarrel as thou art, anyman should buy the fee-simple of my life for an hourand a quarter.MERCUTIO: The fee-simple! O simple!

William Shakespeare (Romeo and Juliet)

Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychom*otor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.

Lauren Sapala (The INFJ Writer: Cracking the Creative Genius of the World's Rarest Type)

Such was the short bitter life of Brother Tod Clifton. Now he’s in this box with the bolts tightened down. He’s in the box and we’re in there with him, and when I’ve told you this you can go. It’s dark in this box and it’s crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it’s far, far too expensive a dwelling. The air is bad and it’ll be cold this winter. Tod Clifton is crowded and he needs the room. Tell them to get out of the box,’ that’s what he would say if you could hear him. Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them that when they call you nigg*r to make a rhyme with trigger it makes the gun backfire.

Ralph Ellison (Invisible Man)

Such was the short bitter life of Brother Tod Clifton. Now he's in this box with the bolts tightened down. He's in the box and we're in there with him, and when I've told you this you can go. It's dark in this box and it's crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it's far, far too expensive a dwelling. The air is bad and it'll be cold this winter. Tod Clifton is crowded and he needs the room. 'Tell them to get out of the box', that's what he would say if you could hear him. 'Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them that when they call you nigg*r to make a rhyme with trigger it makes the gun backfire.

Ralph Ellison (Invisible Man)

A knife with a worn blade and a cracked wooden handle lay at his feet. Reflexively, he bent to pick it up, and recoiled from it as if from a coiled snake. Something screamed in the emptiness, something deeper than resentment and thoughts of water, food, and healing. He backed away from the knife and stumbled through the open door into the darkest night ever known. We

Gene Wolfe (Return to the Whorl: The Final Volume of 'The Book of the Short Sun')

That was Eisman’s logic: the logic of Wall Street’s pecking order. Goldman Sachs was the big kid who ran the games in this neighborhood. Merrill Lynch was the little fat kid assigned the least pleasant roles, just happy to be a part of things. The game, as Eisman saw it, was crack the whip. He assumed Merrill Lynch had taken its assigned place at the end of the chain. On

Michael Lewis (The Big Short: Inside the Doomsday Machine)

Please guide this ship away from harm and make her safe - keep her warm...Attention and lust all she desires - andthe time it takes to stoke those firesYou may invite her to yourlair with sensuousness and apassionate flairherdraw irresistible, hunger insatiable - your thoughts no more your ownFor she has taken place there,in you, the queen upon her throne.....Sensual bliss one of many rewards, but stolen heart and pointy swordsYour skills and gift of most import, for when theywane, pain,and love's cut short....May crack your inner strength some day and trulysteal your time (heart)away....For a muse but one of intermittent bliss starting from the first kissAnd ending only when she's done - then you're left alone as one.....

Lady Blossom

Most of the houses were of logs—all of them, indeed, except three or four; these latter were frame ones. There were none of brick, and none of stone. There was a log church, with a puncheon floor and slab benches. A puncheon floor is made of logs whose upper surfaces have been chipped flat with the adze. The cracks between the logs were not filled; there was no carpet; consequently, if you dropped anything smaller than a peach, it was likely to go through. The church was perched upon short sections of logs, which elevated it two or three feet from the ground. Hogs slept under there, and whenever the dogs got after them during services, the minister had to wait till the disturbance was over. In winter there was always a refreshing breeze up through the puncheon floor; in summer there were fleas enough for all.

Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)

were listening to Tupac right before ... you know.” “A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what you think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, sh*t, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.

Angie Thomas (The Hate U Give)

Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and

William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))

You can't wear those, I say. He strips and I do too...I take off my flight suit and give it to him. I put my PPE back on, roll up Dyer's suit under my arm, and walk back out into the main room wearing just my boots, my flak, my skivvies shorts, and my Kevlar. My legs and arms haven't seen the sun in a while and are pale as pigeon sh*t. Moore sees me and starts smiling. McKeown sees Moore smiling and starts cracking up. I'm like, f*** you, I look sexy.

Phil Klay

In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick.She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?"I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?"She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?""Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him."She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?"The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you."It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added."Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…"She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy.""Um…""I'm destroying it, so I suppose it really doesn't matter."I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.

Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))

As it typically was, my hotel room was alarmed in all kinds of ways, and all around me in the hotel were agents. And as they typically did, the agents gave me a device with a button to push in the event of dire emergency. I was afraid of this thing and always put it far away from me in a hotel room, so I didn’t accidentally touch it during the night. This night, I put it on a countertop in the outer room and went to sleep in the bedroom, far away from it. I didn’t tell Patrice I had put the button on the counter in the outer room, the exact place where she was changing quietly at 2:00 A.M. so as not to wake me. She must have put something on top of the button, because there was pounding on the door about five seconds later. She opened the door a crack to see the lead agent standing at an odd angle, wearing a T-shirt and boxer shorts. He was holding his arm so she couldn’t see his hand behind his back. He looked very tense. “Is everything all right, ma’am?” “Yes. I’m just getting ready for bed.” “Are you sure everything is all right, ma’am?” “Yes.” “Can I see the director, ma’am?” “He’s sleeping in the other room.” “Will you check on him, please?” Patrice walked to the bedroom door, saw me, and reported back. “I see him there sleeping. He’s fine.” “Thank you, ma’am. Sorry to bother you.” What Patrice couldn’t see, but I learned the next morning, was that there were agents stacked down the wall on either side of the door, guns held low and behind their backs. She had touched the button. My bad.

James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)

I have been fascinated by some of the research I've done around relationships between abductors and abductees, sadly in some cases over many years, which has raised many questions: Is it always nature versus nurture? Is there an evil streak in some people and not others? Could it be a sequence of events over a short period that makes someone crack, or a whole life of bad things happening to them? And how would we ever know after the event anyway? That's what makes it so interesting to write crime fiction

Mel Sherratt

Travis?” Her voice came out scratchy and cracked. “What are you doing in my room?” Those eyes—not quite green, not quite brown—crinkled at the corners. “I’m not in your room, darlin’. You’re in mine.” What? Maybe she was still dreaming. That would explain why Travis was here and why nothing was making a lick of sense. But the throbbing behind her ear seemed awfully real. “My head hurts.” “You were kicked by a mule.” A mule? Meredith frowned. Uncle Everett didn’t own a mule. Had she been injured at the livery fetching Ginger? And why was Travis grinning at her? Shouldn’t he be more concerned? “It’s not very heroic of you to smile at my misfortune.” Really. This was her dream after all. Her hero should be more solicitous. Of course, usually in her dreams, Travis rescued her before any injury occurred. The man was getting lax. She’d started to tell him so when he laid the back of his hand on her forehead as if feeling for fever. The gentle touch instantly dissolved her pique. He removed his hand and met her gaze. “I’m smiling because I’m happy to see you awake. We’ve been worried about you.” “Awake?” Meredith scrunched her brows together until the throbbing around her skull forced her to relax. “Travis, you’re not making any sense. I can’t be awake. You only come to me when I’m dreaming. Although you’re usually younger and... well... cleaner, and not so in need of a shave. “But don’t get me wrong,” she hurried to assure him. It wouldn’t do to insult her hero. “You’re just as handsome as always. I don’t even mind that you didn’t save me this time. The important thing is that you’re here.

Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))

I realised I can't shut myself away or — crack up. Sirius wouldn't have wanted that, would he? And anyway, life's too short... look at Madam Bones, looks at Emmeline Vance... it could be me next, couldn't it? But if it is," he said fiercely, now looking straight into Dumbledore's blue eyes, gleaming in the wand-light, "I'll make sure I take as many Death Eaters with me as I can, and Voldemort too if I manage it.""Spoken both like your mother and father's son and Sirius's true god-son!" said Dumbledore with an approving pat on Harry's back.

J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))

Zelna was forced to put Carlos in a care facility a couple of years ago, and when she moved to Philadelphia to live with her daughter, we lost touch. I miss her–I miss the care centre–being around other people who knew exactly what I was going through. We’d often laugh about the crazy things our respective spouses or parents did or said. I remember Zelna cracking up when I told her about Reuben insisting on wearing his boxer shorts over his trousers, like he was auditioning for the role of a geriatric Superman. It wasn’t funny of course, but laughter can be the best medicine, don’t you think? If you don’t laugh, you’d cry.

Sarah Lotz (The Three)

As they walked down the short tunnel that led to the front gate of Noavek manor, Eijeh had whispered, “I’m so scared.”Their dad’s death and their kidnapping had cracked him open like an egg. He was even oozing, his eyes full of tears. The opposite had happened to Akos.No one cracked Akos.“I promised Dad I’d get you out of here,” he’d said to Eijeh. “So that’s what I’m going to do, understand? You’ll make it out. That’s a promise to you, this time.”He’d put his arm over his older brother’s shoulders, pulled him tight to his side. They walked in together.Now they were out, but they hadn’t walked out together. Akos had had to drag him.

Veronica Roth (Carve the Mark (Carve the Mark, #1))

Kingsley’s phone begins to ring, and her ringtone almost makes me grin. It has Lake and Falcon chuckling. ‘It’s your daddy calling, and you know he’s gonna chew your ear off. It’s your daddy calling, all you’re gonna hear is blah, blah, blah, blah, blah.’ “Hey, Dad,” she answers. “No, we came back early.” She smiles. “Yeah, it was okay.” She leans back against the couch and catches me watching her. I glance away as she continues, “No, nothing happened. We just felt like coming back before the other students.” After a short silence, she quickly rambles, “Someone’s knocking at the door. Gotta go. Love you, Dad.” She hangs up and pulls a worried face at the phone. “That was close.” “You’re not telling your father about the avalanche?” I ask. “There’s no need to worry him about something that’s done and dealt with,” she brushes it off. Changing the subject, Layla asks, “Which ringtone do you have for me?” “Oh!” Instantly the frown vanishes, and Kingsley grins at Layla. “You’re going to love it.” A moment later ‘You are my sunshine,’ comes from the phone. “Aww… thanks, my friend,” Layla coos. Lake leans over the back of the chair. “And me?” Kingsley looks at him from over her shoulder. “Have you heard of Lucas, the spider?” “Yeah.” “You have Lucas.” Kingsley presses play, and then you hear, ‘What you eating? I’m starving.’ “That’s perfect,” Falcon chuckles. “Now I have to hear mine.” “One sec.” Kingsley scrolls to his name and then I let out a bark of laughter. “You have a call from God. Haa-llelujah! Haa-llelujah!” “Badass,” Falcon grins, obviously happy with it. “This is Mason’s.” Kingsley grins mischievously, which tells me I’m not going to like it. Then a butler’s serious voice sounds up, ‘Excuse me, but I’m afraid someone is endeavoring to contact you telephonically. Shall I tell them to f*ck off?’ Lake cracks up, disappearing behind the couch which doesn’t help sh*t seeing as I can hear the f*cker laughing his ass off.

Michelle Heard (Mason (Trinity Academy #2))

My girlfriend showed up on Wednesday and we spent the afternoon making love. The constant creaking of my old bed really cracked her up. “It’s going to fall to pieces before long,” she predicted during a pause in our exertions. “There’ll be nothing left but splinters—we won’t be able to tell if they’re wood or pretzel sticks.” “Maybe we should try to make love more quietly.” “Maybe Captain Ahab should have hunted sardines,” she said. I thought about that for a moment. “Are you saying some things in this world can’t be changed?” “Kind of.” A short time later, we were back on the rolling seas, in pursuit of the great white whale. Some things really can’t be changed so easily.

Haruki Murakami (Killing Commendatore)

books like Peter Pan, The Adventures of Huckleberry Finn, that short story by García Márquez, “Light Is Like Water,” and of course Lord of the Flies—are nothing but desperate attempts by adults to come to terms with childhood. That although they seem to be stories about children’s worlds—worlds without adults—they are in fact stories about an adult’s world when there are children in it, about the way that children’s imaginations destabilize our adult sense of reality and force us to question the very grounds of that reality. The more time one spends surrounded by children, disconnected from other adults, the more their imaginations leak through the cracks of our own fragile structures.

Valeria Luiselli (Lost Children Archive)

Make a List (or lists)•Make a list of all the things that you can look at and think: Why did we even bother to move that the last time? Now will be your last and best chance to give or throw away unwanted items until your next move (5-7 years on average). Give unwanted clothes, furniture, kitchen items, etc. to a charity that allows you to use your donation as a tax write-off. Yard sales are another option.•Make a list (and/or get one online) of household hazardous materials. These are common items in your home that are not or might not be safe to transport: flammables like propane tanks (even empty ones), gasoline or kerosene, aerosols or compressed gases (hair spray, spray paint), cleaning fluids in plastic containers (bleach, ammonia) and pesticides (bug spray) and herbicides (weed killer) and caustics like lye or pool acid.There is more likely to be damage caused by leakage of cleaning fluids-- like bleach--than there is by damage caused by a violent explosion or fire in your truck. The problem lies in the fact that any leaking fluid is going to drip its way to the floor and spread out--even in the short time span of your move and more so if you are going up and down hills. Aerosols can explode in the summer heat as can propane BBQ tanks. Gasoline from lawnmowers and pesticide vapors expand in the heat and can permeate everything in the truck. Plastic containers that have been opened can expand and contract with a change in temperature and altitude and crack.

Jerry G. West (The Self-Mover's Bible: A Comprehensive Illustrated Guide to DIY Moving Written by Professional Furniture Mover Jerry G. West)

Most people these days chase new things - new houses, new cars, new objects. But, they don't realise that old houses, old cars, and old objects have something that new things don't have - their history and culture. We must look at life from each other's perspective. New things will make you feel good but maybe for a short time. There is nothing fascinating about chasing new things. Which is why some people, like my parents, love old things, because these things have emotions, and sentiments attached to them. My Mom and Dad choose to stay in our old house in my hometown, because it was the house they built with their hard work and love. It is the house where my mother writes her beautiful poetry. It is the house where my father treats his patients. It is a house which has books, culture, cracks and yes history.

Avijeet Das

i. You’re in fourth grade and it’s autumn and your teacher is handing out catalogs, bright yellow paper pamphlets that crinkle like autumn leaves. You are ravenous, willing the ink to manifest itself into something palpable, pages and pages of words for you to consume, bright covers binding stories of people and places and things you’ve never encountered. The other students shove their already-crumpled copies into their Take-Home folders.ii. You’re in fourth grade and it’s winter and last night the books tumbled off your shelf like the falling snow outside, swelling and piling and overtaking everything—too much stuff, no place to put it all. Your favorite subject in school is Reading, and you can’t understand why no one else seems quite as delighted. It’s all made-up, see? you tell them, even the real stuff. They stare at you, bewildered, as you skip ahead in the enormous anthology of short stories, anxious to find something else that satisfies, trying to ignore the bored mumbles of the two boys next to you. Your other favorite subject is Silent Reading.iii. You’re in fourth grade and it’s spring which means chirping birds and blooming flowers and it’s old news, really, because every time you crack the spine on a new stack of yellowed pages you feel reborn. Your teacher says there won’t be Reading today, there’s something special instead, and your heart sinks as she leads the murmuring class down to the gym, light-up sneakers squeaking on the scuffed tiles. You get there and it’s not the gym, it’s Eden, shelves and shelves of vibrant covers vying for your attention. You’re torn between shoving your old, well-loved favorites under the noses of your disinterested friends and searching for new words to devour. You’re a prospector sifting for riches in the middle of the GOLD Rush, you’re a miner in a cave, you run the titles over your tongue like lollipops, wishing you could just swallow them whole.iv. You’ve finished fourth grade and it’s summer and you giggle when you get the letter in the mail reminding all students to finish one book by the end of break. You already finished one book the first day of vacation, and another the day after that. You still can’t understand why nobody else seems to get it—reading is not a hobby or a chore or a subject, it’s a lifestyle, a method of transportation, a communication that speaks directly to the soul. You decide that the only option is to become a writer when you grow up, and write a book that will fill the parts of people they didn’t even know were empty. You will write a book that they will want to read, and then they will understand.

Anonymous

She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black.""Aubergine," he declared and cracked the opening wider."I love a man who can make colors sound dirty." She grinned."Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit.""I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!"He didn't really, but he got the gist. "So you want nighttime for daytime.""Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia.

Damon Suede (Bad Idea (Itch #1))

And then, Jane looks August straight on, folds her arms across her chest, and says, “What the f*ck, August?”August mentally flips through the plan for tonight—nope, definitely not part of it.“What?”“I can’t do this anymore,” Jane says. She paces toward August, sneakers thumping hard on the floor of the car. She’s pissed off. Brow furrowed, eyes vivid and angry. August scrambles to figure out how she screwed this up so fast.“You—you can’t do what?”“August,” she says, and she’s right in front of her. “Is this a date? Am I on a date right now?”f*ck. August leans against the door, equivocating. “Do you want it to be a date?”“No,” Jane says, “you tell me, because I have been putting every move I know on you for months and I can’t figure you out, and you kept saying you were only kissing me for research, and then you stopped kissing me, but then you kissed me again, and you’re standing there looking like that in f*cking thigh highs and bringing me wine and making me feel things I didn’t even know I could remember how to feel, and I’m going out of my goddamn mind—”“Wait.” August holds both hands up. Jane’s breaths are coming high and short, and August suddenly feels close to hysterical. “You like me?”Jane’s hands clench into fists. “Are you kidding me?”“But I asked you on a date!”“When?”“That time I asked you out to drinks!”“That was a date?”“I—but—and you—all those other girls you told me about, you were always—you just went for it, I thought if you wanted me like that, you would have gone for it by now—”“Yeah,” Jane says flatly, “but none of those girls were you.”August stares.“What do you mean?”“Jesus, August, what do you think I mean?” Jane says, voice cracking, arms thrown out at her sides. “None of them were you. Not a single one of them was this girl who dropped out of the f*cking future to save me with her ridiculous hair and her pretty hands and her big, sexy brain, okay, is that what you want me to say? Because it’s the truth. Everything else about my life is f*cked, so, can you—can you please just tell me, am I on a f*cking date right now?”She makes a helpless gesture, and August is breathless at the pure frustration in it, the way it looks so broken in, like Jane’s been living with it for months. And her hands are shaking. She’s nervous. August makes her nervous.It sinks in and rearranges in August’s brain—the borrowed kisses, the times Jane’s bit her lip or slid her hand across August’s waist or asked her to dance, all the ways she’s tried to say it without saying it. They’re both hopeless at saying it, August realizes.So August opens her mouth and says, “It was never just research.”“Of course it f*cking wasn’t,” Jane says, and she hauls August in by the sway of her waist and finally, finally kisses her.

Casey McQuiston (One Last Stop)

What’s on your mind, doc?” he asked as he flashed his ID at the staff duty sergeant. “Just wondering why the driver didn’t make conversation,” she said after a moment, following him down the hallway and trying not to feel like she was rushing to keep up.“We don’t take warm showers together, if that’s what you’re asking.”Emily laughed quietly. “Was that a line from Heartbreak Ridge?”“You didn’t strike me as a war movie kind of girl.” Reza stopped short, studying her. “Are you honestly telling me you’ve watched that movie?”Heat crept up her neck. “Before I signed up for the army, I needed to know what I was getting myself in for. I watched every war movie I could find.”Reza simply stared at her, his dark eyes glittering. She was sure he was laughing at her. “You know those were Marines in Heartbreak Ridge, right?”“Of course.”He cracked the barest grin. She supposed it was better than yelling at her, so there was that.

Jessica Scott (A Place Called Home (Coming Home #4))

I hear two female voices around the corner and creep toward the end of the hallway to hear better.“…just can’t handle her being here,” one of them sobs. Christina. “I can’t stop picturing it…what she did…I don’t understand how she could have done that!”Christina’s sobs make me feel like I am about to crack open.Cara takes her time responding.“Well, I do,” she says.“What?” Christina says with a hiccup.“You have to understand; we’re trained to see things as logically as possible,” says Cara. “So don’t think that I’m callous. But that girl was probably scared out of her mind, certainly not capable of assessing situations cleverly at the time, if she was ever able to do so.”My eyes fly open. What a--I run through a short list of insults in my mind before listening to her continue.“And the simulation made her incapable of reasoning with him, so when he threatened her life, she reacted as she had been trained by the Dauntless to react: Shoot to kill.”“So what are you saying?” says Christina bitterly. “We should just forget about it, because it makes perfect sense?”“Of course not,” says Cara. Her voice wobbles, just a little, and she repeats herself, quietly this time. “Of course not.”She clears her throat. “It’s just that you have to be around her, and I want to make it easier for you. You don’t have to forgive her. Actually, I’m not sure why you were friends with her in the first place; she always seemed a bit erratic to me.”I tense up as I wait for Christina to agree with her, but to my surprise--and relief--she doesn’t.Cara continues. “Anyway. You don’t have to forgive her, but you should try to understand that what she did was not out of malice; it was out of panic. That way, you can look at her without wanting to punch her in her exceptionally long nose.”My and moves automatically to my nose. Christina laughs a little, which feels like a hard poke to the stomach. I back up through the door to the Gathering Place.Even though Cara was rude--and the nose comment was a low blow--I am grateful for what she said.

Veronica Roth (Insurgent (Divergent, #2))

[There is] no direct relationship between IQ and economic opportunity. In the supposed interests of fairness and “social justice”, the natural relationship has been all but obliterated.Consider the first necessity of employment, filling out a job application. A generic job application does not ask for information on IQ. If such information is volunteered, this is likely to be interpreted as boastful exaggeration, narcissism, excessive entitlement, exceptionalism [...] and/or a lack of team spirit. None of these interpretations is likely to get you hired.Instead, the application contains questions about job experience and educational background, neither of which necessarily has anything to do with IQ. Universities are in business for profit; they are run like companies, seek as many paying clients as they can get, and therefore routinely accept people with lukewarm IQ’s, especially if they fill a slot in some quota system (in which case they will often be allowed to stay despite substandard performance). Regarding the quotas themselves, these may in fact turn the tables, advantaging members of groups with lower mean IQ’s than other groups [...] sometimes, people with lower IQ’s are expressly advantaged in more ways than one.These days, most decent jobs require a college education. Academia has worked relentlessly to bring this about, as it gains money and power by monopolizing the employment market across the spectrum. Because there is a glut of college-educated applicants for high-paying jobs, there is usually no need for an employer to deviate from general policy and hire an applicant with no degree. What about the civil service? While the civil service was once mostly open to people without college educations, this is no longer the case, and quotas make a very big difference in who gets hired. Back when I was in the New York job market, “minorities” (actually, worldwide majorities) were being spotted 30 (thirty) points on the civil service exam; for example, a Black person with a score as low as 70 was hired ahead of a White person with a score of 100. Obviously, any prior positive correlation between IQ and civil service employment has been reversed.Add to this the fact that many people, including employers, resent or feel threatened by intelligent people [...] and the IQ-parameterized employment function is no longer what it was once cracked up to be. If you doubt it, just look at the people running things these days. They may run a little above average, but you’d better not be expecting to find any Aristotles or Newtons among them. Intelligence has been replaced in the job market with an increasingly poor substitute, possession of a college degree, and given that education has steadily given way to indoctrination and socialization as academic priorities, it would be naive to suppose that this is not dragging down the overall efficiency of society.In short, there are presently many highly intelligent people working very “dumb” jobs, and conversely, many less intelligent people working jobs that would once have been filled by their intellectual superiors. Those sad stories about physics PhD’s flipping burgers at McDonald's are no longer so exceptional.Sorry, folks, but this is not your grandfather’s meritocracy any more.

Christopher Michael Langan

Have you met my new dancer?"The girl approached and he was able to dink in the sigh of her with a slackened jaw. Her short, icy-blonde hair wisped around her face, drawing him in to her deep brown eyes. Her brows had a strong arch to them that made her look as though she was either intrigued or annoyed. Beau didn't care so long as she was looking at him. He liked his lips absently, letting his gaze sweep over her face for a moment more. He couldn't stop his brain from picturing her smearing the shimmering pink gloss from her perfect mouth all over his body. Leaving her mark. He cursed in his thoughts again. Who the hell was this girl and what was she doing to him?He cleared his throat and extended his hand toward her coolly. "Beau Harris, nice to meet you," he said.The corner of the young woman's mouth twitched and she took his hand before her eyes darted to Vanessa."Beau!" Vanessa barked. He glanced at her and reluctantly dropped the dancer's hand. He looked between the two woman for a moment and tried to keep his gaze up and off the stranger's tight, tanned stomach."What?" He bit back.Vanessa huffed and a cackled cracked out of her throat. "You losing eyesight in your old age? That's Whitney. My little sister," she said, drawing out her words out like he was an idiot.

Kate Roth

A half-empty bottle of vodka sat on the bedside table, and his sketchbook was open on the king-size bed. Several sketches, only three of which looked finished, were scattered across the bedspread. Clearly he hadn’t been sleeping either.Swallowing, I picked up the nearest one. A dark-skinned, pale-haired child with an angel’s wings—too old to be a cherub, more like a small boy—stood in the middle of a dark forest, looking around in terror. His hand was outstretched, reaching for a shadow disappearing off the edge of the page, the unknown figure walking away from him, leaving him behind.I drew a shuddering breath and picked up the next one. In this one, that same angel—now a willowy adolescent, his thin, maturing body draped in the ubiquitous short toga with strapped sandals wound around his ankles—stood with his shoulders hunched in the midst of a crowd of jeering figures. He held an ornate harp cradled protectively against his body, trying to shield it from further harm. Its strings were sprung and its frame cracked and bent.In the last one, an even more mature version of the angel—now a young man—knelt on one knee in another clearing in the woods. He was bruised and bleeding, his toga torn and stained. He held the bloody, tattered remnants of one of his wings, trying futilely to piece it back together.

Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))

From the slimy sidewalk, they were picking up bits of orange peel, apple skin, and grape stems, and they were eating them. The pips of green gage plums they cracked between their teeth for the kernels inside. They picked up stray crumbs of bread the size of peas, apple cores so black and dirty one would not take them to be apple cores, and these things these two men took into their mouths, and chewed them, and swallowed them; and this, between six and seven o'clock in the evening of August 20, year of our Lord 1902, in the heart of the greatest, wealthiest, and most powerful empire the world has ever seen.These two men talked. They were not fools. They were merely old.And, naturally, their guts a-reek with pavement offal, they talked of bloody revolution. They talked as anarchists, fanatics, and madmen would talk. And who shall blame them? In spite of my three good meals that day, and the snug bed I could occupy if I wished, and my social philosophy, and my evolutionary belief in the slow development and metamorphosis of things-in spite of all this, I say, I felt impelled to talk rot with them or hold my tongue. Poor fools! Not of their sort are revolutions bred. And when they are dead and dust, which will be shortly, other fools will talk bloody revolution as they gather offal from the spittle-drenched sidewalk...

Jack London (The People of the Abyss)

Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, “What is happening?” for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt.The light came on, and Miss Tanner said in a furry voice, “Hear that? They’re celebrating . It’s the Armistice. The war is over, my dear.” Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, “My country, ’tis of thee…”Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, “Sweet land of Liberty-”“Oh, say, can you see?” their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. “The war is over,” said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, “Please open the window, please, I smell death in here.

Katherine Anne Porter (Pale Horse, Pale Rider)

Despite the best laid plans and the best people, a project can still experience ruin and decay during its lifetime. Yet there are other projects that, despite enormous difficulties and constant setbacks, successfully fight nature's tendency toward disorder and manage to come out pretty well. What makes the difference? In inner cities, some buildings are beautiful and clean, while others are rotting hulks. Why? Researchers in the field of crime and urban decay discovered a fascinating trigger mechanism, one that very quickly turns a clean, intact, inhabited building into a smashed and abandoned derelict [WK82]. A broken window. One broken window, left unrepaired for any substantial length of time, instills in the inhabitants of the building a sense of abandonment—a sense that the powers that be don't care about the building. So another window gets broken. People start littering. Graffiti appears. Serious structural damage begins. In a relatively short space of time, the building becomes damaged beyond the owner's desire to fix it, and the sense of abandonment becomes reality. The "Broken Window Theory" has inspired police departments in New York and other major cities to crack down on the small stuff in order to keep out the big stuff. It works: keeping on top of broken windows, graffiti, and other small infractions has reduced the serious crime level.

Andrew Hunt (Pragmatic Programmer, The: From Journeyman to Master)

The Real World'The real word doesn't take flightthe way dreams do.No muffled voice, no doorbellcan dispel it,no shriek, no crashcan cut it short.Images in dreamsare hazy and ambiguous,and can generally be explainedin many different ways.Reality means reality:that's tougher nut to crack.Dreams have keys.The real world opens on its ownand can't be shut.Report canrds and starspour from it,butterflies and flatiron warmersshower down,headless capsand shards of clouds.Together they form a rebusthat can't be solved.Without us dreams couldn't exist.The one on whom the real world dependsis still unknown,and the products of his insomniaare avaialble to anyonewho wakes up.Dreams aren't crazy-it's the real world that's insane,if only in the stubbornnesswith which it sticksto the current of events.In dreams our recently deceasedare still alive,in perfect health, no less,and restored to the full bloom of youth.The real world lays the corpsein front of us.The real world doesn't blink an eye.Dreams are featherweights,and memory can shake them off with ease.The real world doesn't have to fear forgetfulness.It's a tough customer.It sits on our shoulders,weights on our hearts,tumbles to our feet.There's no escaping it,it tags along each time we flee.And there's no stopalong our escape routewhere reality isn't expecting us.

Wisława Szymborska (Nothing Twice: Selected Poems / Nic dwa razy: Wybór wierszy)

Back in the barracks, those of us still left were white-faced and very shaky, but we were so relieved that the ordeal was finally over.Trucker looked particularly bad, but had this huge grin. I sat on his bed and chatted as he pottered around sorting his kit out. He kept shaking his head and chuckling to himself.It was his way of processing everything. It made me smile.Special man, I thought to myself.We all changed into some of the spare kit we had left over from the final exercise and sat on our beds, waiting nervously.We might have all finished--but--had we all passed?“Parade in five minutes, lads, for the good and the bad news. Good news is that some of you have passed. Bad news…you can guess.”With that the DS left.I had this utter dread that I would be one of the ones to fail at this final hurdle. I tried to fight the feeling.Not at this stage. Not this close.The DS reappeared--he rapidly called out a short list of names and told them to follow him. I wasn’t in that group. The few of us remaining, including Trucker, looked at one another nervously and waited.The minutes went by agonizingly slowly. No one spoke a word.Then the door opened and the other guys reappeared, heads down, stern-faced, and walked past us to their kit. They started packing.I knew that look and I knew that feeling.Matt was among them. The guy who had helped me so much on that final Endurance march. He had been failed for cracking under duress. Switch off for a minute, and it is all too easy to fall for one of the DS’s many tricks and tactics.Rule 1: SAS soldiers have to be able to remain sharp and focused under duress.Matt turned, looked at me, smiled, and walked out.I never saw him again.

Bear Grylls (Mud, Sweat and Tears)

By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.

Ian Fleming (Casino Royale (James Bond, #1))

A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms.“Sister or lover?” Kestrel said.The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?”“Are you his sister or lover?”She walked up to Kestrel and slapped her across the face.“Sarsine!” Arin hauled her back.“His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.”Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control.“Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--”“I don’t care,” Kestrel said.His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown.He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--”“Arin! Have you lost your mind?”“Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.”“In the east wing.” Sarsine’s voice was thick with disgust.“She’s the general’s daughter.”“Oh, I know.”“A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.”“Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?”“It will change how we see ourselves.”“No, Arin. It will change how everyone sees you.”He shook his head. “She’s mine to do with as I see fit.”There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest.Arin let Kestrel go. “Please, Sarsine. Take her.”His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.

Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))

BACON, EGG, AND CHEDDAR CHEESE TOAST CUPS Preheat oven to 400 degrees F., rack in the middle position. 6 slices bacon (regular sliced, not thick sliced) 4 Tablespoons (2 ounces, ½ stick) salted butter, softened 6 slices soft white bread ½ cup grated cheddar cheese 6 large eggs Salt and pepper to taste Cook the 6 slices of bacon in a frying pan over medium heat for 6 minutes or until the bacon is firmed up and the edges are slightly brown, but the strips are still pliable. They won’t be completely cooked, but that’s okay. They will finish cooking in the oven. Place the partially-cooked bacon on a plate lined with paper towels to drain it. Generously coat the inside of 6 muffin cups with half of the softened butter. Butter one side of the bread with the rest of the butter but stop slightly short of the crusts. Lay the bread out on a sheet of wax paper or a bread board butter side up. Hannah’s 1st Note: You will be wasting a bit of butter here, but it’s easier than cutting rounds of bread first and trying to butter them after they’re cut. Using a round cookie cutter that’s three and a half inches (3 and ½ inches) in diameter, cut circles out of each slice of bread. Hannah’s 2nd Note: If you don’t have a 3.5 inch cookie cutter, you can use the top rim of a standard size drinking glass to do this. Place the bread rounds butter side down inside the muffin pans, pressing them down gently being careful not to tear them as they settle into the bottom of the cup. If one does tear, cut a patch from the buttered bread that is left and place it, buttered side down, over the tear. Curl a piece of bacon around the top of each piece of bread, positioning it between the bread and the muffin tin. This will help to keep the bacon in a ring shape. Sprinkle shredded cheese in the bottom of each muffin cup, dividing the cheese as equally as you can between the 6 muffin cups. Crack an egg into a small measuring cup (I use a half-cup measure) with a spout, making sure to keep the yolk intact. Hannah’s 3rd Note: If you break a yolk, don’t throw the whole egg away. Just slip it in a small covered container which you will refrigerate and use for scrambled eggs the next morning, or for that batch of cookies you’ll make in the next day or two. Pour the egg carefully into the bottom of one of the muffin cups. Repeat this procedure for all the eggs, cracking them one at a time and pouring them into the remaining muffin cups. When every muffin cup has bread, bacon, cheese and egg, season with a little salt and pepper. Bake the filled toast cups for 6 to 10 minutes, depending on how firm you want the yolks. (Naturally, a longer baking time yields a harder yolk.) Run the blade of a knife around the edge of each muffin cup, remove the Bacon, Egg, and Cheddar Cheese Toast Cups, and serve immediately. Hannah’s 4th Note: These are a bit tricky the first time you make them. That’s just “beginner nerves”. Once you’ve made them successfully, they’re really quite easy to do and extremely impressive to serve for a brunch. Yield: 6 servings (or 3 servings if you’re fixing them for Mike and Norman).

Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))

WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted

Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))

Are-are you leaving?”She saw his shoulders stiffen at the sound of her voice, and when he turned and looked at her, she could almost feel the effort he was exerting to keep his rage under control. “You’re leaving,” he bit out.In silent, helpless protest Elizabeth shook her head and started slowly across the carpet, dimly aware that this was worse, much worse than merely standing up in front of several hundred lords in the House.“I wouldn’t do that, if I were you,” he warned softly.“Do-do what?” Elizabeth said shakily.“Get any nearer to me.”She stopped cold, her mind registering the physical threat in his voice, refusing to believe it, her gaze searching his granite features.“Ian,” she began, stretching her hand out in a gesture of mute appeal, then letting it fall to her side when her beseeching move got nothing from him but a blast of contempt from his eyes. “I realize,” she began again, her voice trembling with emotion while she tried to think how to begin to diffuse his wrath, “that you must despise me for what I’ve done.”“You’re right.”“But,” Elizabeth continued bravely, “I am prepared to do anything, anything to try to atone for it. No matter how it must seem to you now, I never stopped loving-“His voice cracked like a whiplash. “Shut up!”“No, you have to listen to me,” she said, speaking more quickly now, driven by panic and an awful sense of foreboding that nothing she could do or say would ever make him soften. “I never stopped loving you, even when I-““I’m warning you, Elizabeth,” he said in a murderous voice, “shut up and get out! Get out of my house and out of my life!”“Is-is it Robert? I mean, do you not believe Robert was the man I was with?”“I don’t give a damn who the son of a bitch was.”Elizabeth began to quake in genuine terror, because he meant that-she could see that he did. “It was Robert, exactly as I said,” she continued haltingly. “I can prove it to you beyond any doubt, if you’ll let me.”He laughed at that, a short, strangled laugh that was more deadly and final than his anger had been. “Elizabeth, I wouldn’t believe you if I’d seen you with him. Am I making myself clear? You are a consummate liar and a magnificent actress.”“If you’re saying that be-because of the foolish things I said in the witness box, you s-surely must know why I did it.”His contemptuous gaze raked her. “Of course I know why you did it! It was a means to an end-the same reason you’ve had for everything you do. You’d sleep with a snake if it gave you a means to an end.”“Why are you saying this?” she cried.“Because on the same day your investigator told you I was responsible for your brother’s disappearance, you stood beside me in a goddamned church and vowed to love me unto death! You were willing to marry a man you believed could be a murderer, to sleep with a murderer.”“You don’t believe that! I can prove it somehow-I know I can, if you’ll just give me a chance-““No.”“Ian-““I don’t want proof.”“I love you,” she said brokenly.“I don’t want your ‘love,’ and I don’t want you. Now-“ He glanced up when Dolton knocked on the door.“Mr. Larimore is here, my lord.”“Tell him I’ll be with him directly,” Ian announced, and Elizabeth gaped at him. “You-you’re going to have a business meeting now?”“Not exactly, my love. I’ve sent for Larimore for a different reason this time.”Nameless fright quaked down Elizabeth’s spine at his tone. “What-what other reason would you have for summoning a solicitor at a time like this?”“I’m starting divorce proceedings, Elizabeth.”“You’re what?” she breathed, and she felt the room whirl. “On what grounds-my stupidity?”“Desertion,” he bit out.

Judith McNaught (Almost Heaven (Sequels, #3))

100 Cracks Short Quotes — Niche Quotes 💬 (2024)

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